Inside the mind of ‘Inception’

Just a few weeks ago, the buzz on director Christopher Nolan’s new film Inception was that it might be too complex and too difficult to become a true blockbuster hit with mainstream audiences. Today, the buzz on the helmer’s puzzle-box thriller about thieves who steal ideas from dreams is that audiences can’t get enough of it. The film opened last weekend at $62.8 million and could reach $140 million at the box office by the end of this weekend.

It’s tempting to say something like “maybe Inception wasn’t as daunting as advertised” or “maybe audiences aren’t as stupid as assumed”—although both are surely true. Perhaps it’s what Roger Ebert (@ebertchicago) recently tweeted: “Inception has entered into the category of a film people think they must see so they can participate in dinner conversations.” (Of course, that dinner conversation could be rather contentious, as not everyone thinks Inception is all that dreamy.)


Filmmaking, New Movies

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